As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8" minimum focusing distance. Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. Complementing close-up shooting, More Info Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. Including shortage of materials, labor strikes, transportation failure, or acts of God. The orders will be delivered within 14 - 21 business days.ĬameraLK will inform you of estimated shipment dates, but will not be responsible for delaysĭelivery due to events beyond its control, The costs of shipping and handling will be shown on your purchase receipt.
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It allows you to move the camera millimeters forwards or backwards to really lock in that macro focus. I’ve used one on numerous occasions, a great accompaniment to any macro lens. If you wanted to get really serious, a great accessory to the Canon EF 100mm f/2.8L Macro IS USM Lens would be the Manfrotto 454 Micrometric Positioning Sliding Plate on Amazon for your tripod. Texture shots to photoshop onto other photos. Canon EF 100mm f/2.8L Macro IS USM Lens is great for: Also the image stabilization helps those hand held shots out a bunch. I had to use the Auto Focus once and it seemed faster than my eye. It would be a great lens even if it had no macro focus at all. So with that being said, we got the EF 100mm f/2.8L Macro Lens for the simple reason that it is extremely sharp, slightly sharper even than the EF 24-70mm we own, and we benefit from the lens’s added compression from the focal length which helps blur the background out even more. In my opinion, a macro lens is just like anything in photography, a tool to help tell the story better. WHY I WOULD BUY Canon EF 100mm f/2.8L Macro IS USM Lens – From grapes to their stapler, everything is abstracted. People buy the lens, slap it on and for the next few weeks, months or years, everyone they know is now obliged to entertain one super close up photo after another. Yes, they are pretty, artistic, and some are down right beautiful, but the problem is that these types of pictures are so easy to make it’s hard to be unique at it. I know I’m alienating a large part of photographers out there, but the story for me is the most important aspect of a photo. Why are these the “Dirty Five,” well most of the time they are story-less and a lot more of them are simply a dime a dozen. I call it getting rid of the “Dirty Five.” Flowers, Kids, Silhouettes, Sunsets (usually silhouetted) and Macros. As a photography lecturer, editing photographer’s portfolios can be a little tricky, because the first images that usually go are most of the time the photographer’s pets. I usually have a deeply rooted stigma with macro photography. I never thought I would be posting a review for a macro lens, but we recently started using the Canon EF 100mm f/2.8L Macro IS USM Lens and I have to say, it’s pretty great.
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